glamoroussource:“It’s as if after the first part of my life, at age 28, they drew a line under me and tallied it. I had too much personality for one person and not quite enough for two. In Fitzgerald there’s a man who was waiting for events to fill

glamoroussource:“It’s as if after the first part of my life, at age 28, they drew a line under me and tallied it. I had too much personality for one person and not quite enough for two. In Fitzgerald there’s a man who was waiting for events to fill

Thedouble: “What’s Your Dream? — No One’s Ever Asked Me That. ” ― American Honey (2016) Dir. Andrea Arnold

Stephanieisyoung: Kosciol Mariacki (St. Mary’s Basilica), Kraków

Lordbalon:details At Valentino Spring 2015 Couture

Lifeinpoetry: I Create You—I Don’t Know You—I Still Don’t Know What Parts Of Me Are Holy— — Talin Tahajian, From “Շարական (“In This New Country”),” Published In The Rumpus

Fuckrashida: Beyoncé And Her Spouse - “Apes**T”

Covet-Couture:dolce &Amp;Amp; Gabbana, Spring/Summer 2016 Rtw

Crastinating:films Without Faces: After The Storm (2016, Dir. Hirokazu Kore-Eda)

Thepocket-Mouse: “What I Learned From Her Death Was This: No Truth Can Cure The Sadness We Feel From Losing A Loved One. No Truth, No Sincerity, No Strength, No Kindness, Can Cure That Sorrow. All We Can Do Is See That Sadness Through To The End.”

Purecinema: Isabelle Adjani In Possession, 1981, Dir. Andrzej Żuławski.

Furioas: Haim Photographed By Sarah Bahbah For Ssense

The Signs As Shakespearean Archetypes

Goblinpromqueen:jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles (1975)

FauxBait FayeReagan