driverdelight:We shot the movie in 1.66 which I think is, is a little more narrow than 1.85, because of the portraiture. I thought it would frame the faces better. [x]

driverdelight:We shot the movie in 1.66 which I think is, is a little more narrow than 1.85, because of the portraiture. I thought it would frame the faces better. [x]

Bugs Eat Books

Violentwavesofemotion: Odysseus Elytis, Tr. By Athan Anagnostopoulos, From “Maria Nephele: A Poem In Two,”

Tierras:sometimes I Feel Like A Ghost Existing A Body That Isn&Amp;Rsquo;T Mine&Amp;Hellip; @1Ovecy

Witchinghour: Pierrot Le Fou (1965) Dir. Jean-Luc Godard

Salemwitchtrials:an Interview With Toni Morrison(Toni Morrison &Amp;Amp; Nellie Mckay)

Salwarremade:

Zedayacoleman: Zendaya &Amp;Amp; Lupita Nyong’olancôme’s Teint Idole Ultra Wear Campaign

Davidlynch: Why Do You Want To Dance? Why Do You Want To Live?Well I Don’t Know Exactly Why, But… I Must. That’s My Answer Too. The Red Shoes (1948) Dir. Michael Powell &Amp;Amp; Emeric Pressburger

Sheer Delight And Gratitude;

Spockvarietyhour: Better To Be King For A Night Than Schmuck For A Lifetime. 10 Caps From The King Of Comedy (1982) Directed By Martin Scorsese

Womanhouse:eva Antilla, White Veil, 1950, Tapestry Hanging (Woven)

Violentwavesofemotion: Guillaume Apollinaire, Tr. By Anne Hyde Greet, From Calligrams; “At Nimes,”

ThaiHotties Thapt