gretagerwisg: He chooses the memory of her. That’s why he turns. He doesn’t make the lover’s choice, but the poet’s. Portrait of a Lady on Fire (2019) dir. Céline Sciamma

gretagerwisg: He chooses the memory of her. That’s why he turns. He doesn’t make the lover’s choice, but the poet’s. Portrait of a Lady on Fire (2019) dir. Céline Sciamma

Gryblack: Rihanna For Dior’s Secret Garden Campain

Redlipstickresurrected: Kyosuke Chinai Aka 智内兄助 Aka Kyosuke Tchinai (Japanese, B. 1948, Namikata Ochi, Ehime Prefecture, Japan) - 無何有郷山守花明り From Utopia Exhibition Paintings: Acrylics On Board

Gustingirl: Triple H - Retro Future

Witchinghour: “We Knew We Wanted It To Be Beautiful And Disturbing, Often Concurrently Within The Same Shot. In The End, A Lot Of It Was Just From Nature. We Found Images That Were Atmospherically Relevant. One I Remember Was Of A Vapor Trail Behind

Jins-Kiss: With A Smirk Like That…

Greggaraki: Let Everything That’s Been Planned Come True. Let Them Believe. And Let Them Have A Laugh At Their Passions. Stalker | 1979 | Dir. Andrei Tarkovsky

Violentwavesofemotion: “I Held You, Or I Never Held You, Or I Held You Briefly, Once, Long Ago, And You Kissed Me While My Heart Kept Time.” — Kelly Cherry, From “First Marriage,” Featured In “When She Named Fire: An Anthology Of Contemporary

Sesiondemadrugada: Hausu (Nobuhiko Ôbayashi, 1977).

R-Siken:dirty Valentine, Richard Siken

Driflloon: Faces @ Simone Rocha

Violentwavesofemotion: “I’d Like To Go Quietly Mad,” — Vladislav Khodasevich, Tr. By Michael Frayn, Twentieth Century Russian Poetry, From “Ballad,”

Andrejvidovic: Peitho And Astraea By @Thetogfather

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