artmastered: Edward Burra, The Snack Bar, 1930 An odd tension exists between the barman, the customer and the slicing of the ham in Burra’s painting. The woman eats distractedly, while the man cuts with enjoyment and a sideways glance at her. Violence

artmastered: Edward Burra, The Snack Bar, 1930 An odd tension exists between the barman, the customer and the slicing of the ham in Burra’s painting. The woman eats distractedly, while the man cuts with enjoyment and a sideways glance at her. Violence

Centuriespast: George Inness American, 1825-1894 Early Morning, Tarpon Springs, 1892 Art Institute Chicago

Renaissance-Art: Giotto C. 1320S Scenes From The Life Of Mary Magdalene (Detail)

André Derain (1880 - 1954), Ball Of Soldiers In Suresnes (1903)

Angrywhistler: Richard Diebenkorn

Regardintemporel: Daido Moriyama - Sans Titre, 1995

Artmastered: Gino Severini, Dynamic Hieroglyphic Of The Bal Tabarin, 1912

Mpdrolet: Crushed Cars #2, Tacoma 2004 From Intolerable Beauty: Portraits Of American Mass Consumption (2003-2005) Chris Jordan

Bestiario: Winslow Homer

Lyghtmylife: Moroni, Giovanni Battista [Italian Mannerist Painter, Ca.1520-1578] The Tailorc. 1570Oil On Canvas, 97 X 74 Cmnational Gallery, London

Proustitute: Federico Fellini, 8½, 1963

Hellenismo: Δευτέρα Ἱσταμένου, Ii Day From Today’s Sunset: Second Day Of Metageitnion. The Second Day Is Always Sacred To The Agathos Daimon, To All The Heroes And Heroines And To The Chthonian Deities. It Is Also A Day Sacred To Poseidon.

Hellenismo: Red-Figure Lekythos With The Representation Of A Winged Eros In An Idyllic Landscape. From A Cemetery Of Akraifnio, Last Third Of The 4Th Cent.bc. Museum Of Thebes.

frprn fuckingmachines