arcadiainteriorana: A Cottage in Patterdale, WestmorelandPhilip James de Loutherbourg (1740–1812) Oil on canvas, 39.5 x 57.5 cm, 1783.

arcadiainteriorana: A Cottage in Patterdale, WestmorelandPhilip James de Loutherbourg (1740–1812) Oil on canvas, 39.5 x 57.5 cm, 1783.

Tullio Crali (Igalo 1910 - Milano 2000), Bombardamento Aereo (Aerial Bombing), 1932

Endlessquestion: George Bellows - Blue Morning ,1909, Oil On Canvas, National Gallery Of Art

Gino Severini (1883 - 1966), Still Life With St. Peter&Amp;Rsquo;S Dome (1941-43)

Chasingtailfeathers: David Ligare, Georgic Landscape, 2005 | Oil On Canvas, 26 X 32 In. | Private Collection, London, Uk

Artmastered: The Chain Pier, Built In 1823, Was Brighton’s First Major Pier. It Was Destroyed In 1896 After A Brutal Storm, But Parts Of The Pier Can Still Be Seen During Low Tides. Both Turner And Constable Famously Painted The Chain Pier Just A Few

Henry De Groux (Brussels 1866 - Marseilles 1930), Le Grand Chambardement (The Great Upheaval), 1893

Intemperata: On The Set Of 8½ , Federico Fellini Attached A Note To Himself Below The Camera’s Eyepiece Which Read, &Amp;Ldquo;Remember, This Is A Comedy&Amp;Rdquo;.

Émile Friant (Dieuze 1863 – Paris 1932), The Entrance Of The Clowns (Completed In 1881, When The Painter Was 18)

The-Paintrist: Anassembly: James Ensor Self-Portrait With Masks, 1899 James Sidney Edouard, Baron Ensor (13 April 1860 – 19 November 1949) Was A Belgian Painter And Printmaker, An Important Influence On Expressionism And Surrealism Who Lived In Ostend

Lyghtmylife: Pierre Roy [French Surrealist Painter, 1880-1950] Boris Anrep In His Studio, 65 Boulevard Arago 1949 Oil On Canvas 65,3 X 50,1 Cm Tate Gallery, London, Uk

80S-90S-Supermodels: &Amp;Ldquo;Infanta Style&Amp;Rdquo;, Vogue Italia, September 1997Photographer : Paolo Roversimodel : Tanga Moreau

Museumuesum: Paul Pfeiffer Four Horsemen Of The Apocalypse, 2000-2006 Fujiflex Digital C-Prints, 60 X 48 Inches Each In His Series Four Horsemen Of The Apocalypse, Paul Pfeiffer Draws Our Attention To How Iconography Can Produce Saints, Heroes, And

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