Proto Porn

emanuelacauphoto: © Emanuela Cau autoportrait

emanuelacauphoto: © Emanuela Cau autoportrait

emanuelacauphoto:  © Emanuela Cau autoportrait

Shihlun: Issei Suda, ‘Amagi Yugano, Shizuoka’ From Fushi Kaden (1971).

Shihlun:   Issei Suda, ‘Amagi Yugano, Shizuoka’ From Fushi Kaden (1971).

Philomena-Famulok: Denial ©Philomena Famulok

Philomena-Famulok:  Denial ©Philomena Famulok

Givemefreshtofu: En Océanie (1932), Claude Cahun

Givemefreshtofu:  En Océanie (1932), Claude Cahun

Neo-Catharsis: Gelpke Andre Fata Morgana 005, 1963

Neo-Catharsis:  Gelpke Andre Fata Morgana 005, 1963

Vivipiuomeno1: Gunars Binde (Latvia, 1933)            Also

Vivipiuomeno1:  Gunars Binde (Latvia, 1933)            Also

Surrealist-Phantoms

Surrealist-Phantoms

I Sing The Body Electric

I Sing The Body Electric

Littlelouuglyjackprophetjohn: André Kertész, Distorsion N. 61, Paris, 1933.

Littlelouuglyjackprophetjohn:  André Kertész, Distorsion N. 61, Paris, 1933.

Idunn-My-Ordinary-Madness: Rudo Prekop  The Drinker

Idunn-My-Ordinary-Madness:  Rudo Prekop  The Drinker

Idunn-My-Ordinary-Madness: Jean-Loup Sieff Shadow 1989

Idunn-My-Ordinary-Madness:  Jean-Loup Sieff Shadow 1989

Ledoshumain: Venus At Her Mirror, 1647-51(Detail), Diego Vélasquez (Damage Sustained In The Attack By The Suffragette Mary Richardson In 1914)

Ledoshumain:  Venus At Her Mirror, 1647-51(Detail), Diego Vélasquez  (Damage Sustained

Iconophages: Rene Clair And Francis Picabia’s Breakthrough, Reversible Ending Of Their Dadaist Film, L’entr-Acte (1924)

Iconophages:  Rene Clair And Francis Picabia’s Breakthrough, Reversible Ending

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