Proto Porn

huariqueje: Mimi Monette, interior with brown background.    -    Potter, Jack. American  1927-2002 Conté and watercolor, 45 x 61 cm Museum of Fine Arts, Boston.

huariqueje: Mimi Monette, interior with brown background.    -    Potter, Jack. American  1927-2002 Conté and watercolor, 45 x 61 cm Museum of Fine Arts, Boston.

huariqueje:    Mimi Monette, interior with brown background.     -     Potter,

Hellanne: Tamta Giorgadze

Hellanne:  Tamta Giorgadze

The-Yawning-Marshmallow: Psyche Awakened By Her Lover Cupid, Antonio Cavova

The-Yawning-Marshmallow:  Psyche Awakened By Her Lover Cupid, Antonio Cavova

Bojrk: Japan: Flower Rafts In A Japanese Garden, Matsue, Shimane.

Bojrk:  Japan: Flower Rafts In A Japanese Garden, Matsue, Shimane.

Dessinnoir: Ava Gardner In The Killers (1946)

Dessinnoir:  Ava Gardner In The Killers (1946)

A Creature Of Infinite Melancholy

A Creature Of Infinite Melancholy

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Julia

Julia

Many The Wonders

Many The Wonders

Uglyufo: I Just Wanna Wear Lingerie, Smell Like Lavender, And Have Soft Skin

Uglyufo:  I Just Wanna Wear Lingerie, Smell Like Lavender, And Have Soft Skin

Emotionalbee: I’m So Jealous Of Whoever Will Get To Marry My Best Friend. And Not Even Because I Like Her Romantically Because I Don’t But Just Like She’s Seriously The Best Person I’ve Ever Met. Whoever Marries Her Or Is Even Dating Her Will

Emotionalbee:  I’m So Jealous Of Whoever Will Get To Marry My Best Friend. And

Hepburny: ‘I Must Say There Wasn’t A Human Being That Audrey Hepburn Didn’t Have A Kind Word For,’ Said Breakfast At Tiffany’s Co-­Producer Richard Shepherd, ‘Except George Peppard. She Didn’t Like Him At All. She Thought He Was Pompous.’ When

Hepburny:  ‘I Must Say There Wasn’t A Human Being That Audrey Hepburn Didn’t

I Really Do Miss What We Almost Had.

I Really Do Miss What We Almost Had.

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