amazingcinematography: Mud Directed by: Jeff NicholsCinematography: Adam StoneCamera: Arriflex 235, Panavision G-Series Lenses, Panavision Panaflex Millennium XL2, Panavision G-Series and ATZ LensesFormat: 35mm (Kodak Vision3 50D 5203, Vision3 250D

amazingcinematography: Mud Directed by: Jeff NicholsCinematography: Adam StoneCamera: Arriflex 235, Panavision G-Series Lenses, Panavision Panaflex Millennium XL2, Panavision G-Series and ATZ LensesFormat: 35mm (Kodak Vision3 50D 5203, Vision3 250D

Amazingcinematography: The Place Beyond The Pines Directed By: Derek Cianfrancecinematography: Sean Bobbitt Bsccameras: Arricam Lt/St/235, Cooke S4 And Angenieux Optimo Lensesformat: 35Mm (Kodak Vision2 50D 5201, Vision3 250D 5207, Vision3 500T 5219)Mode

Mrsbrownstones: I Know You’re Tired Of Loving, Of Loving, With Nobody To Love.

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Eye-Contact: The Master Submitted By Genomvakad

Blurrymelancholy: The Master (2012), Dir. Paul Thomas Anderson

Twaititi-Deactivated20160901: Anderson Nearly Always Wins His Battles For Secrecy, Autonomy And Control. He Has Never Suffered From Self-Doubt As A Filmmaker – In Fact, He Has Been Certain Of His Career Path Since Early Childhood. When Anderson Was

Francois-Truffaut: &Amp;Lsquo;My Daughter&Amp;Rsquo;S Getting Married, Come Join Us!&Amp;Rsquo;

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M0Ments-Have-You

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