Anselm Kiefer (Donaueschingen, Baden-Wurttenberg, 1945); Die Meistersinger, 1981; oil, emulsion and sand on photograph mounted on canvas

Anselm Kiefer (Donaueschingen, Baden-Wurttenberg, 1945); Die Meistersinger, 1981; oil, emulsion and sand on photograph mounted on canvas

Carlo Saraceni (Venezia, 1579 - 1620), Il Diluvio Universale (The Deluge), C. 1610; Oil On Canvas, 92 X 117 Cm

Blastedheath: John Piper (British, 1903-1992), View Of Hurst Castle From Keyhaven, Hampshire, C.1949. Gouache On Paper, 7 X 9½ In.

Amare-Habeo: Max Beckmann (1884 - 1950) Still-Life With The Blue Orchid (Stilleben Mit Blauen Orchideen), 1938 Oil On Canvas Kunstmuseum Stuttgart, Germany

Annibale Carracci (Bologna 1560 - Roma 1609); San Rocco E L'angelo (St. Roch And The Angel), C. 1587; Oil On Canvas, 81 Cm X 62 Cm; Fitzwilliam Museum, Cambridge

Susanzweig: Édouard Vuillard (1868-1940) Annette Roussel With A Broken Chair, 1900

Bestiario

Athousandwinds: Winter Landscape, 1838, Oil On Canvas By Barend Cornelis Koekkoek, Dutch, 1803-1862. Rijksmuseum In Amsterdam Koekkoek Was One Of The Most Important Landscape Painters Of His Generation. He Was Commissioned By World Leaders Of

Neurosciencestuff: Pinpointing The Brain’s Arbitrator We Tend To Be Creatures Of Habit. In Fact, The Human Brain Has A Learning System That Is Devoted To Guiding Us Through Routine, Or Habitual, Behaviors. At The Same Time, The Brain Has A Separate

Masterpiecedaily: Jan Van Bijlert The Concert 1635-40

Poboh: Sunset, Down The High Street, Canterbury, 1922, Albert Goodwin, R.w.s. (1845-1932)

Adolph Von Menzel (Breslau 1815 - Berlin 1905); Market In Winter, 1862; Gouache And Colored Chalk On Paper, 26 X 32 Cm; Stiftung Staadtmuseum, Berlin

Carel Fabritius (Beemster 1622 - Delft 1654); The Raising Of Lazarus, 1643, Oil On Canvas; Muzeum Narodowe W Warszawie (Warsaw

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