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miss-catastrofes-naturales: A vos, por seguir creyendo en mí.

miss-catastrofes-naturales: A vos, por seguir creyendo en mí.

miss-catastrofes-naturales:  A vos, por seguir creyendo en mí.

miss-catastrofes-naturales:  A vos, por seguir creyendo en mí.

miss-catastrofes-naturales:  A vos, por seguir creyendo en mí.

miss-catastrofes-naturales:  A vos, por seguir creyendo en mí.

Mi Puñado De Esplín

Mi Puñado De Esplín

Classykittenn:from F. Percy Smith’s The Birth Of A Flower (1910).

Classykittenn:from F. Percy Smith’s The Birth Of A Flower (1910).

Vivipiuomeno1: Vasil Stanko Ph. Cz - Divadlo V Zrcadlech I (Theatre In The Mirror I) 1996 Also

Vivipiuomeno1:    Vasil Stanko Ph. Cz - Divadlo V Zrcadlech I (Theatre In The Mirror

Zzzze: Kansuke Yamamoto, (Exit),1935; (Anxious Corridor, 1932 - 45)

Zzzze:  Kansuke Yamamoto, (Exit),1935; (Anxious Corridor, 1932 - 45)

Jogoraz: Jogo-Z She Stands On The Edge Of The Horizon Waiting For The Time To Carry Her

Jogoraz:  Jogo-Z She Stands On The Edge Of The Horizon Waiting For The Time To Carry

L-P-F-M: Fp The Legs — Lpfm

L-P-F-M:  Fp The Legs — Lpfm

Vivipiuomeno1: Masumi Saito Dancer (Japan, 1979) Inspired By ‘A Woman In The Dunes’ – Sayaka Maruyama Ph.       Also    

Vivipiuomeno1:  Masumi Saito Dancer (Japan, 1979) Inspired By ‘A Woman In The Dunes’

Vanishingflesh: Robert Hutinski Http://Www.robert-Hutinski.com/ Http://Www.flickr.com/Photos/Roberthutinski/ Interview: Http://Blog.photowhoa.com/Robert-Hutinski-Interview-Why-Offensive-Can-Be-Good-At-Times-Nfsw/

Vanishingflesh:  Robert Hutinski Http://Www.robert-Hutinski.com/ Http://Www.flickr.com/Photos/Roberthutinski/

Anamorphosis-And-Isolate: ― The Face Of Another (1966)“Constant Solitude Would Become Our Normal Condition.”

Anamorphosis-And-Isolate:  ― The Face Of Another (1966)“Constant Solitude Would

La Beauté Sera Convulsive Ou Ne Sera Pas

La Beauté Sera Convulsive Ou Ne Sera Pas

Surrealist-Phantoms

Surrealist-Phantoms

Grigiabot: Hans Bellmer La Poupée [“The Doll”], 1934

Grigiabot:  Hans Bellmer La Poupée [“The Doll”], 1934

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