orplid: Boudoir … a sanctuary of femininity John Currin (American, b. 1962) - ‘Lemons and Lace’ American artist John Currin is one of the world’s foremost figurative painters. John Currin’s work draws upon a broad range of cultural influences

orplid: Boudoir … a sanctuary of femininity John Currin (American, b. 1962) - ‘Lemons and Lace’ American artist John Currin is one of the world’s foremost figurative painters. John Currin’s work draws upon a broad range of cultural influences

Sketchesandstudies: Peter Paul Rubens Portrait Of A Young Woman 1630-36 Black And Red Chalk, 473 X 354 Mm Museum Boijmans Van Beuningen, Rotterdam Www.wikiart.org

Acrosscenturiesandgenerations:▪Diana And Her Nymphs Departing For The Hunt. Date: Ca. 1615 Artist: Workshop Of Peter Paul Rubens (Flemish, 1577-1640) Medium: Oil On Canvas

Miodecalogo:eugène Delacroix - Roméo Et Juliette Devant Le Tombeau Des Capulets

Heaven-Is-In-Sight: La Libertad Guiando Al Pueblo (La Liberté Guidant Le Peuple), Eugène Delacroix. El Espectador Sólo Tiene Dos Posibilidades, El Unirse A La Masa, O El Ser Arrasado Por Ella. El Pueblo Es La Unión De Clases: Se Representa Al

Wonderwarhol:a Young Tiger Playing With Its Mother, 1830, By Eugène Delacroix (1798-1863)

Hajandrade:eugène Delacroix (French, 1798 - 1863), Lion And Lioness In The Mountains (Lion Et Lionne Dans Les Montagnes), 1847, Pastel On Paper; 10 ¾ X 13 7/8 In. (827.1 X 35.2 Cm.)

Dasgemutlichkeit: Hugues Merle (1823 - 1881) La Légende Des Willis 1847 Between 1847 And 1881, Merle Exhibited Forty-Eight Pictures In Sixteen Salons, Many Of Them Considered, In Subject And Style, Rivals Of The Work Of The Celebrated French Painter

Justineportraits:hugues Merle Hébé Après Sa Chute Ca1880

Bellsofsaintclements:“Falling Leaves” By French Artist Hugues Merle (1822-1881).

Silenceformysoul:hugues Merle (1823-1881) - The Bather

Pintoras:elizabeth Jane Gardner (American, 1837 - 1922): The Dove Fanciers (Via The Athenaeum)

Seattlemysterybooks: Pinterest 1961 Newstand Library Paperback Original Cover Art By Robert Bonfils

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