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Wmud: Gio Ponti - Casa Laporte, Via Benedetto Brin 12, Milano, 1935-36

Wmud: Gio Ponti - Casa Laporte, Via Benedetto Brin 12, Milano, 1935-36

03.03.2017 Am I Actively Self-Destructing? Why Am I Not Keeping Up With Things? Why Do I Weep? So Many Aches And Nothing To Do About Them. I Feel So Heavy, As If My Bones Are Heavy Granite And My Eyelids Are Steel Doors Meant To Close. I Can Never Write,

03.03.2017  Am I Actively Self-Destructing? Why Am I Not Keeping Up With Things?

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Kylie

Marieahh:pooja Mor By Marc Pilaro For Models.com

Marieahh:pooja Mor By Marc Pilaro For Models.com

Furples: Sora Choi @ Gabriele Colangelo Spring 2015

Furples: Sora Choi @ Gabriele Colangelo Spring 2015

Saloandseverine: Yayoi Kusama In Her Studio, New York, 1960

Saloandseverine: Yayoi Kusama In Her Studio, New York, 1960

4A: Louise Bourgeois, She Lost It, 1947

4A: Louise Bourgeois, She Lost It, 1947

1010Ll: Https://Www.instagram.com/P/Brjdkkaftdw/

1010Ll:  Https://Www.instagram.com/P/Brjdkkaftdw/

Eventual

Eventual

Praduh: Yanina Couture Ss17

Praduh: Yanina Couture Ss17

Theartidote: “Most Of Our Childhood Is Stored Not In Photos, But In Certain Biscuits, Lights Of Day, Smells, Textures Of Carpet.” —Alain De Bottonphoto By Petros Koublis

Theartidote: “Most Of Our Childhood Is Stored Not In Photos, But In Certain Biscuits,

Wetheurban: For Colored Girls, Ed Maximus  A Look At Haitian New York-Based Photographer Ed Maximus’ Stunning Ongoing Series For Colored Girls. Juxtaposing Vibrant Hues With The Depth Of Black Skin, He Turns Each Of His Subjects Into Works Of Art,

Wetheurban: For Colored Girls, Ed Maximus  A Look At Haitian New York-Based Photographer

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