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1843. Street Scene, Philadelphia. An 1843 daguerreotype image of No. 46 to No. 52, Chestnut Street, Philadelphia, Pennsylvania. The photographer is William G. Mason.

1843. Street Scene, Philadelphia. An 1843 daguerreotype image of No. 46 to No. 52, Chestnut Street, Philadelphia, Pennsylvania. The photographer is William G. Mason.

1843. Street Scene, Philadelphia. An 1843 daguerreotype image of No. 46 to No. 52,

London, Picadilly 1934

London, Picadilly 1934

Lostsplendor: Atlantic City, 1910 (Via)

Lostsplendor:  Atlantic City, 1910 (Via)

To Naprawdę Był Fatalnie Głupi Film. 

To Naprawdę Był Fatalnie Głupi Film. 

Museumuesum: Gordon H. Coster Impressions Of Chicago - The Lights Of Grant Park, 1932 Gelatin Silver Print, 33.3 X 26.3Cm (13 1/8 X 10 3/8In.)

Museumuesum:  Gordon H. Coster  Impressions Of Chicago - The Lights Of Grant Park,

Battle Scars

Battle Scars

To Jednak Bardzo Dobra Książka Była. 

To Jednak Bardzo Dobra Książka Była. 

Tender-Isthe-Night: Vogue March 1929 - Pierre Mourgue

Tender-Isthe-Night:  Vogue March 1929 - Pierre Mourgue

Tender-Isthe-Night: Erté - Loge De Théâtre (Detail) - 1912

Tender-Isthe-Night:  Erté - Loge De Théâtre (Detail) - 1912

Lauramcphee: Jay Hyde Barnum, Cover Detail, Woman’s Home Companion, February 1927

Lauramcphee:  Jay Hyde Barnum, Cover Detail, Woman’s Home Companion, February 1927

Thorsteinulf: Francis Cadell - Interior: The Orange Blind (C.1927)

Thorsteinulf:  Francis Cadell - Interior: The Orange Blind (C.1927)

Windypoplarsroom: Jean Béraud “La Pâtisserie Gloppe Au Champs-Élysées”

Windypoplarsroom:  Jean Béraud “La Pâtisserie Gloppe Au Champs-Élysées”

Soyouthinkyoucansee: Amore Mio Vittorio Matteo Corcos 

Soyouthinkyoucansee:  Amore Mio Vittorio Matteo Corcos 

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