onlyoldphotography: Richard Avedon: Carmen (Homage to Munkasci), Coat by Cardin, Place François-Premier, Paris, August 1957

onlyoldphotography: Richard Avedon: Carmen (Homage to Munkasci), Coat by Cardin, Place François-Premier, Paris, August 1957

Coco Chanel Watching Her Défilé, Paris, 1958. Photo By Frank Horvat.

Vampdreaminginhollywood: 12 Female Mannequin Heads, Each With Distinct Physiognomy And Period Hair Style By Peter Weller, C. 1930

Onlyoldphotography: Elliott Erwitt: Wilmington, North Carolina, 1950

Vampdreaminginhollywood: Jindřich Štyrský -Untitled,( Mannequins Dans Une Vitrine),1934

Onlyoldphotography: Eugène Atget: Boulevard De Strasbourg, 1910

Onlyoldphotography: Eugène Atget: Boulevard De Strasbourg, Corsets, Paris, 1912 In Atget’s Inventory Of Paris, Shop Windows Figure Prominently And The Most Arresting Feature Mannequin Displays. In The 1920S The Surrealists Recognized In Atget A Kindred

Onlyoldphotography: Eugène Atget: Avenue Des Gobelins, 1925 The Apparent Subject Of This Picture Is The Art Of Commercial Display In Paris In 1925. But The Reflection In The Window Muddles The Issue, For It Obscures The Clothing And Seems To Animate

Onlyoldphotography: Eugène Atget: Avenue Des Gobelins, 1927 In This Headless Mannequin, Clothed In A Simple White Uniform, Atget Recognized A Modern Version Of The Commedia Dell’arte Clown Gilles, Depicted By The Eighteenth-Century Painter Jean Antoine

Onlyoldphotography: Eugène Atget: Café, Avenue De La Grande-Armée, 1924-25 Atget’s Interest In The Texture Of Old Paris-In The Animate, Intimate Air Of Places Much Lived In-Ran Counter To The Prevailing Popular Taste For The Eiffel Tower, The Opéra,

Onlyoldphotography: Eugène Atget: Bar De Cabaret, 1900-1911

Onlyoldphotography: Eugène Atget: Paris Interior, 1910

Onlyoldphotography: Eugène Atget: À L’homme Armé, 25 Rue Des Blancs-Manteaux, Paris, 1900

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