Proto Porn

sengoart: Kazuo Shiraga, Funsyutu, 1997, sumi ink on paper, 90 x 90 cm

sengoart: Kazuo Shiraga, Funsyutu, 1997, sumi ink on paper, 90 x 90 cm

sengoart: Kazuo Shiraga, Funsyutu, 1997, sumi ink on paper, 90 x 90 cm

Mjalti: Mjalti: Why Does Using Someone’s Name In Conversation Feel So Intimate, Like The Way A Touch Feels Gentle As Someone Is Fixing Ur Hair Or Brushing Out A Stray Strand Someone: *Uses My Name To Address Me*Me: Oh My God, I Am A Physical Entity…

Mjalti: Mjalti: Why Does Using Someone’s Name In Conversation Feel So Intimate,

Philoclea: Maison Martin Margiela Backstage Via @Rarebooksparis

Philoclea:  Maison Martin Margiela Backstage Via @Rarebooksparis

Hirxeth: “Would You Fuck Me? I’d Fuck Me. I’d Fuck Me Hard. I’d Fuck Me So Hard.” The Silence Of The Lambs (1991) Dir. Jonathan Demme

Hirxeth:  “Would You Fuck Me? I’d Fuck Me. I’d Fuck Me Hard. I’d Fuck Me

Trashpimp: Cape Cod Kwassa Kwassa // Vampire Weekend

Trashpimp: Cape Cod Kwassa Kwassa // Vampire Weekend

Nvm-Illustration: Burial. Trying Out A New Paper, Not Sure If It Makes A Difference. The Lines Seem To Flow Easier Over The Page Though.

Nvm-Illustration: Burial.  Trying Out A New Paper, Not Sure If It Makes A Difference.

Sculpture-Center: Reverberations
 A Performance Event Presented Through The In Practice Programat Sculpturecentersaturday December 15, 1-6Pm   Embracing Lengthy Formats And Quotidian Content, Reverberations Mines An Inherent Materiality Within The

Sculpture-Center: Reverberations
 A Performance Event Presented Through The In

Pocmodels: Grace Bol By Arcin Sagdic

Pocmodels:  Grace Bol By Arcin Sagdic

Amused-Itself-To-Death

Amused-Itself-To-Death

Amused-Itself-To-Death

Amused-Itself-To-Death

Death Disco Cult

Death Disco Cult

Amused-Itself-To-Death

Amused-Itself-To-Death

Avy-Archive:

Avy-Archive:

datass datbuttfromthefront