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notaspretty: Inspiration Reference simple reference tools make a great amount of difference.

notaspretty: Inspiration Reference simple reference tools make a great amount of difference.

notaspretty: Inspiration Reference simple reference tools make a great amount of

Finita-La-Commedia: Peng Xiancheng

Finita-La-Commedia: Peng Xiancheng

Rosycupid:laura Mercier “Rose Rendezvous” Highlighter

Rosycupid:laura Mercier “Rose Rendezvous” Highlighter

Princesconsuela: My Two Moods

Princesconsuela: My Two Moods

Cinema-Shots: Léon: The Professional (1994)

Cinema-Shots: Léon: The Professional (1994)

Violentwavesofemotion: Isamu Noguchi, Peking Drawing (Man Sitting), 1930,

Violentwavesofemotion: Isamu Noguchi, Peking Drawing (Man Sitting), 1930,

Larissahofmann: Larissa Hofmann - Self

Larissahofmann: Larissa Hofmann - Self

Fayrouz: Fairuz In Her Raouché House, Beirut 1987.

Fayrouz: Fairuz In Her Raouché House, Beirut 1987.

Andresbestardmaggio: “En Fuga” / Existencia“On The Run” / Existenceacrílico Y Tinta / 18 X 30 Cm / 1992Deviantart | Facebook | Twitter | Website | Pinterest

Andresbestardmaggio: “En Fuga” / Existencia“On The Run” / Existenceacrílico

Lamaleph: ماذا نفعلُ في هذا الوطن الذي يخاف أن يرى جسده في المرآة حتى لا يشتهيه - نزار قباني Que Faisons-Nous Encore Dans Cette Patrie Qui Craint De Regarder Son Corps Dans Un Miroir Pour

Lamaleph: ماذا نفعلُ في هذا الوطن الذي يخاف أن يرى

Nouraisbored

Nouraisbored

Dappledwithshadow: The Skeleton Painterjames Ensor - Circa 1895-1896 Koninklijk Museum Voor Schone Kunsten - Antwerp (Belgium) Painting - Oil On Panel Height: 37.7 Cm (14.84 In.), Width: 46 Cm (18.11 In.)

Dappledwithshadow: The Skeleton Painterjames Ensor - Circa 1895-1896 Koninklijk

Twofigs: Caravaggio, The Incredulity Of St. Thomas (Detail), C.1601Lucio Fontana, Spatial Concept, 1960

Twofigs: Caravaggio, The Incredulity Of St. Thomas (Detail), C.1601Lucio Fontana,

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