shesnake: Audrey Hepburn on the set of Sabrina (1954) dir. Billy Wilder Costume design by Edith Head

shesnake: Audrey Hepburn on the set of Sabrina (1954) dir. Billy Wilder Costume design by Edith Head

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Vuls: Us Vogue July 1983

Self-Healing: 010180000: The Body Keeps The Score, Bessel Van Der Kolk

Paintingnotpainting:jean-Marie Appriou

231124209518: No One Who Has Hoped For Something Has Ever Had Their Hopes Perfectly Realized. There Are Compromises, Adjustments, Contingencies. Eventually, Hope Becomes Indistinguishable From Resignation. Eugene Thacker, Infinite Resignation

Mothwood: Allwill Be Difficult To Say:the Real Wordis Never Easy. All Will Be Hard:pitiless Lightexcessive Living Tooconscious Of Being. All Will Beable To Wound. Will Beaggressively Real.so Real It Rends Us. There Is No Pity In Signsnor Even In Love:

Bitter

Thermonous: “Beauty Dies: That Is The Source Of Creation.” — Louise Glück, From Hyacinth (Via Gnossienne)

Violentwavesofemotion: “I Want To Be Bruised By God. I Want To Be Strung Up In A Strong Light And Singled Out. I Want To Be Stretched, Like Music Wrung From A Dropped Seed. I Want To Be Entered And Picked Clean.” Charles Wright, From “Clear

Gateways-Ov-Flesh: Planning For Burial - Reminder (2012)

R-Siken: Landscape With A Blur Of Conquerors, Richard Siken

Windflowerfairy: Richard Ii By William Shakespeare

PussyFlashing PussyJuices