Proto Porn

crastinating: “My God, my God, whose performance am I watching? How many people am I? Who am I? What is this space between myself and myself?” — Fernando Pessoa, from The Book of Disquiet (via luthienne)

crastinating: “My God, my God, whose performance am I watching? How many people am I? Who am I? What is this space between myself and myself?” — Fernando Pessoa, from The Book of Disquiet (via luthienne)

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

crastinating: “My God, my God, whose performance am I watching? How many people

365Filmsbyauroranocte: A Streetcar Named Desire (Elia Kazan, 1951)

365Filmsbyauroranocte:  A Streetcar Named Desire (Elia Kazan, 1951)

Thursdaysatthecafe: “Worry Is A Way To Pretend That You Have Knowledge Or Control Over What You Don't―And It Surprises Me, Even In Myself, How Much We Prefer Ugly Scenarios To The Pure Unknown.” — Rebecca Solnit, A Field Guide To Getting Lost

Thursdaysatthecafe: “Worry Is A Way To Pretend That You Have Knowledge Or Control

Heavensickness:oh, Don&Amp;Rsquo;T Try And Take His Suffering Away From Him; He&Amp;Rsquo;S Be Lost Without It.look Back In Anger, John Osborne

Heavensickness:oh, Don&Amp;Rsquo;T Try And Take His Suffering Away From Him; He&Amp;Rsquo;S

Bandtshirt: Comme Des Garçons F/W 1988 Campaign

Bandtshirt: Comme Des Garçons F/W 1988 Campaign

Heavensickness:look Back In Anger, John Osborne

Heavensickness:look Back In Anger, John Osborne

Writingsforwinter: “Nothing Ever Ends Poetically. It Ends And We Turn It Into Poetry. All That Blood Was Never Once Beautiful. It Was Just Red.” — Kait Rokowski

Writingsforwinter:  “Nothing Ever Ends Poetically. It Ends And We Turn It Into

Clingnebula

Clingnebula

Bymessy: Sam Casper Outtake For “Red As Love” Shot By Cybelle Corwin

Bymessy: Sam Casper Outtake For “Red As Love” Shot By Cybelle Corwin

(Via Griznar, Substrom)

(Via Griznar, Substrom)

Violentwavesofemotion: Marcel Proustfrom A Letter Featured In His “Selected Letters,”

Violentwavesofemotion:  Marcel Proustfrom A Letter Featured In His “Selected Letters,”

Bergmans-Ghost: Shebitesgodinthewrist: The Last Photograph Of Laure (Colette Peignot), Taken The Day She Died On 7 November 1938. Her Last Words: “It’s Ravishing”, Referring To A Rose Her Lover Georges Bataille Had Given Her. Bataille Later Wrote

Bergmans-Ghost:  Shebitesgodinthewrist:  The Last Photograph Of Laure (Colette Peignot),

Glockmagazine: Glock 17L 

Glockmagazine:  Glock 17L 

anal_addiction anal_gifs