l-homme-que-je-suis: Marc Schulze in “Looking for Home” Photographed by Leonardo Corredor and Styled by Beau Barela for Schön Magazine

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When Hong Kong Cinema Finally Reached Western Audiences In The Late Eighties, Its Style Was Quickly And Correctly Categorized As A Strictly Commercial Approach To Filmmaking. Wong Kar Wai’s Arrival Changed Everything. With The Same Visual Tools That

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