Proto Porn

loserhooch: Tilda Swinton photographed by Tim Walker for W, May 2013 Tilda

loserhooch: Tilda Swinton photographed by Tim Walker for W, May 2013 Tilda

loserhooch: Tilda Swinton photographed by Tim Walker for W, May 2013 Tilda

Natalie Wood In The Great Race, 1965.

Natalie Wood In The Great Race, 1965.

Vintageanchorbooks: “When We Start Deceiving Ourselves Into Thinking Not That We Want Something… But That It Is A Moral Imperative That We Have It, That Is When We Join The Fashionable Mad Men.” — Joan Didion

Vintageanchorbooks: “When We Start Deceiving Ourselves Into Thinking Not That

Dailybunny: Bunny Is Only Half Listening Thanks, Tragiclittlethings!

Dailybunny: Bunny Is Only Half Listening Thanks, Tragiclittlethings!

Bunnyonplanetq

Bunnyonplanetq

Monarchy - Disintegration Ft. Dita Von Teese (By Monarchysound)

Monarchy - Disintegration Ft. Dita Von Teese (By Monarchysound)

Andy Warhol, Untitled (Superman Collage #15), 1960

Andy Warhol, Untitled (Superman Collage #15), 1960

Bunnyonplanetq

Bunnyonplanetq

Salvador Dali&Amp;Rsquo;S Face Of Mae West That Could Be An Apartment (1935) And The Mae West Lip Couch (1937).

Salvador Dali&Amp;Rsquo;S Face Of Mae West That Could Be An Apartment (1935) And

Transparent-Flowers: Indian Lotus, Also Nelumbo Nucifera.

Transparent-Flowers: Indian Lotus, Also Nelumbo Nucifera.

Theniftyfifties: A 1968 Tatra 603 At Expo ‘58 In Brussels. In The Background Is The Atomium, A Structure Modeled After An Iron Crystal Enlarged 165 Billion Times.

Theniftyfifties: A 1968 Tatra 603 At Expo ‘58 In Brussels. In The Background

Bunnyonplanetq

Bunnyonplanetq

Paperimages: James Gleeson, We Inhabit The Corrosive Littoral Of Habit, 1940. Oil On Canvas.    National Gallery Of Victoria. This Painting Has Also Been Incorrectly Attributed To Salvador Dali.

Paperimages: James Gleeson, We Inhabit The Corrosive Littoral Of Habit, 1940. Oil

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