Blood and Black Lace VHS tape, Directed by Mario Bava, Revolution Films, date unknown. Bought from a car boot sale. Entirely inappropriate 80s-style cardboard box cover for Bava’s classic proto-giallo.

Blood and Black Lace VHS tape, Directed by Mario Bava, Revolution Films, date unknown. Bought from a car boot sale. Entirely inappropriate 80s-style cardboard box cover for Bava’s classic proto-giallo.

The Mighty Thor!: Collector&Amp;Rsquo;S Album, Earth-Shaking Script By Stan Lee, Breath-Taking Illustration By Jack Kirby. A Lancer Book, 1966. Bought From A Charity Shop, Nottingham.

Frontispiece From The Dracula Collection, Galley Press, 1981. Bought From A Charity Shop, Nottingham. &Amp;Ldquo;High On A Gloomy, Windswept Crag Jutting Up From The Dark Forests Of The Transylvanian Hinterland There Stands A Time-Worn Castle Shrouded In

Illustration By Ray Bradbury, From An Interview With Him In Sight And Sound, Spring 1974. From A Collection Of Magazines Given Away Free By Broadway Cinema. &Amp;Ldquo;Stage Is Fantasy; Film Is Reality. The Stage Should Never Be Real. That&Amp;Rsquo;S Why The

Movie People, At Work In The Business Of Film - Fred Baker With Ross Firestone, Lancer Contempora Books, 1973. Bought From A Second-Hand Book Stall, Charing Cross Rd. London. &Amp;Ldquo;Terry Southern On The Screenwriter. &Amp;Rsquo;Would You Say That Writing

The Friends Of Eddie Coyle, By George V. Higgins, Pan Books 1973. From A Second-Hand Book Stall, Charing Cross Road, London. &Amp;Ldquo;&Amp;Lsquo;Look At This.&Amp;Rsquo; The Stocky Man Extended The Fingers Of His Left Hand Over The Gold-Speckled Formica Tabletop.

The Quatermass Experiment, By Nigel Kneale, Penguin 1959. From A Charity Shop In Nottingham. &Amp;Ldquo;Cut To Quatermass. He Presses The Master Switch. An Indicator Light Flashes. Cut To The Rocket&Amp;Hellip;Very, Very Slowly, The Hatch Begins Moving Outwards.

Interview With Nicolas Roeg, From Sight And Sound, Winter 1973/4. Free From Broadway Cinema, Nottingham. &Amp;Ldquo;In All Three Films [Walkabout, Performance, Don&Amp;Rsquo;T Look Now], The Impression Is Of People Who At The End Are More Or Less Willing Themselv

Rabid, Directed By David Cronenberg (1986, Empire Video), Vhs Tape. From A Car Boot Sale In Nottingham. &Amp;Ldquo;You Can&Amp;Rsquo;T Trust Your Mother, Your Best Friend, Your Next Door Neighbour&Amp;Hellip; One Minute They&Amp;Rsquo;Re Perfectly Normal The Next&Amp;Hellip

Book Of The Damned, By Charles Fort (John Brown Publishing, 1995) From A Charity Shop In Nottingham. &Amp;Ldquo;It Is Our Expression That Nothing Can Attempt To Be, Except By Attempting To Exclude Something Else: That Which Is Commonly Called &Amp;Lsquo;Being&Amp;Rsq

Photographs From The Cinema Of John Frankenheimer By Gerald Pratley, International Film Guide Series, 1969 Bought From A Charity Shop, Nottingham. John Frankenheimer On Seconds (1966) &Amp;Ldquo;I Think With Every Film Before You Even Start To Make It,

Montana Gothic, By Dirck Van Sickle Bought From A Charity Shop, London. &Amp;Ldquo;He Put On The Same Clothes He&Amp;Rsquo;D Worn Since Last Summer; The Shirt Stiffly Wrinkled With Nose Wipings, The Top Three Buttons Gone. His Cowboy Boots, A Struggle To Put

Collection Of Old Photos From Various East Midlands Portrait Photographers (Including Roberts &Amp;Amp; Son, Derby; G. Caldwell, Nottingham; Phillips And Freckleton, Nottingham). From A Junk Shop, Mansfield Road, Nottingham.

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