Illustration by Ray Bradbury, from an interview with him in Sight and Sound, Spring 1974. From a collection of magazines given away free by Broadway Cinema. “Stage is fantasy; film is reality. The stage should never be real. That’s why the

Illustration by Ray Bradbury, from an interview with him in Sight and Sound, Spring 1974. From a collection of magazines given away free by Broadway Cinema. “Stage is fantasy; film is reality. The stage should never be real. That’s why the

Movie People, At Work In The Business Of Film - Fred Baker With Ross Firestone, Lancer Contempora Books, 1973. Bought From A Second-Hand Book Stall, Charing Cross Rd. London. &Amp;Ldquo;Terry Southern On The Screenwriter. &Amp;Rsquo;Would You Say That Writing

The Friends Of Eddie Coyle, By George V. Higgins, Pan Books 1973. From A Second-Hand Book Stall, Charing Cross Road, London. &Amp;Ldquo;&Amp;Lsquo;Look At This.&Amp;Rsquo; The Stocky Man Extended The Fingers Of His Left Hand Over The Gold-Speckled Formica Tabletop.

The Quatermass Experiment, By Nigel Kneale, Penguin 1959. From A Charity Shop In Nottingham. &Amp;Ldquo;Cut To Quatermass. He Presses The Master Switch. An Indicator Light Flashes. Cut To The Rocket&Amp;Hellip;Very, Very Slowly, The Hatch Begins Moving Outwards.

Interview With Nicolas Roeg, From Sight And Sound, Winter 1973/4. Free From Broadway Cinema, Nottingham. &Amp;Ldquo;In All Three Films [Walkabout, Performance, Don&Amp;Rsquo;T Look Now], The Impression Is Of People Who At The End Are More Or Less Willing Themselv

Rabid, Directed By David Cronenberg (1986, Empire Video), Vhs Tape. From A Car Boot Sale In Nottingham. &Amp;Ldquo;You Can&Amp;Rsquo;T Trust Your Mother, Your Best Friend, Your Next Door Neighbour&Amp;Hellip; One Minute They&Amp;Rsquo;Re Perfectly Normal The Next&Amp;Hellip

Book Of The Damned, By Charles Fort (John Brown Publishing, 1995) From A Charity Shop In Nottingham. &Amp;Ldquo;It Is Our Expression That Nothing Can Attempt To Be, Except By Attempting To Exclude Something Else: That Which Is Commonly Called &Amp;Lsquo;Being&Amp;Rsq

Photographs From The Cinema Of John Frankenheimer By Gerald Pratley, International Film Guide Series, 1969 Bought From A Charity Shop, Nottingham. John Frankenheimer On Seconds (1966) &Amp;Ldquo;I Think With Every Film Before You Even Start To Make It,

Montana Gothic, By Dirck Van Sickle Bought From A Charity Shop, London. &Amp;Ldquo;He Put On The Same Clothes He&Amp;Rsquo;D Worn Since Last Summer; The Shirt Stiffly Wrinkled With Nose Wipings, The Top Three Buttons Gone. His Cowboy Boots, A Struggle To Put

Collection Of Old Photos From Various East Midlands Portrait Photographers (Including Roberts &Amp;Amp; Son, Derby; G. Caldwell, Nottingham; Phillips And Freckleton, Nottingham). From A Junk Shop, Mansfield Road, Nottingham.

Dark Star, By Alan Dean Foster (Futura 1979) Bought From A Charity Shop, Nottingham. &Amp;Ldquo;&Amp;Lsquo;Listen Bomb,&Amp;Rsquo; Pinback Pleaded, 'Pretty Bomb, Logical Bomb, Lovely Reasonable Thermostellar Triggering Device&Amp;Hellip;&Amp;Rdquo; 'Flattery Will Get You

The Man In The Cryogenic Freezer: Interview With John Carpenter, From Sight And Sound Magazine, Spring 1978. Free From Broadway Cinema, Nottingham. &Amp;Ldquo;Do You Really See Yourself As Belonging With The Older Generation Of Film-Makers, People Like Howard

Bressonisms, From Sight And Sound, Winter 1976/7 Free From Broadway Cinema, Nottingham.

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