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findingthewaybackfromlost: Marisa Berenson  Photographed by Irving Penn, Vogue, March 1965

findingthewaybackfromlost: Marisa Berenson  Photographed by Irving Penn, Vogue, March 1965

findingthewaybackfromlost: Marisa Berenson  Photographed by Irving Penn, Vogue,

Crazo Naga

Crazo Naga

Benedetta Barzini Photographed By Melvin Sokolsky, 1964.

Benedetta Barzini Photographed By Melvin Sokolsky, 1964.

Candypriceless: Marisa Berenson In Pedro Rovira And Carmen Mir For Vogue, 1966 - Photo By Henry Clarke 

Candypriceless: Marisa Berenson In Pedro Rovira And Carmen Mir For Vogue, 1966 -

Candy Priceless

Candy Priceless

Beatrixkiddos: Gentlemen Prefer Blondes Was Jane Russell’s Only Film With Marilyn Monroe. They Got Along Well. Russell Called Monroe “Blondie” And Was Often The Only Person On The Set Who Could Coax Monroe Out Of Her Trailer To Begin The Day’s

Beatrixkiddos: Gentlemen Prefer Blondes Was Jane Russell’s Only Film With Marilyn

Wilhelmina Cooper For Revlon, 1964.

Wilhelmina Cooper For Revlon, 1964.

Marisa Berenson Photographed By Richard Avedon, 1966.

Marisa Berenson Photographed By Richard Avedon, 1966.

&Amp;Ldquo;Moving Platform&Amp;Rdquo; Design From 1948.

&Amp;Ldquo;Moving Platform&Amp;Rdquo; Design From 1948.

Karel Thole’s Cover For The 1970 Edition Of Farewell, Earth’s Bliss (1966), D. G. Compton

Karel Thole’s Cover For The 1970 Edition Of Farewell, Earth’s Bliss (1966),

Imjerryhall: “Garden Of Love” By Remedios Vara, 1951.

Imjerryhall: “Garden Of Love” By Remedios Vara, 1951.

&Amp;Ldquo;Ah! Bats!&Amp;Rdquo;

&Amp;Ldquo;Ah! Bats!&Amp;Rdquo;

Roninshe: And This, Ladies &Amp;Amp; Gents, Is Why Kitty Pryde Is Just Plain Awesome.

Roninshe: And This, Ladies &Amp;Amp; Gents, Is Why Kitty Pryde Is Just Plain Awesome.

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