Proto Porn

lauramcphee: Portrait de femme à sa fenêtre, Paris, c1920 (Photographer unknown)

lauramcphee: Portrait de femme à sa fenêtre, Paris, c1920 (Photographer unknown)

lauramcphee: Portrait de femme à sa fenêtre, Paris, c1920 (Photographer unknown)

Fantomas-En-Cavale: Garde-Robe Des Danseuses À La Grande Schauspielhaus À Berlin, 1925. Photo De Zander &Amp;Amp; Labisch.

Fantomas-En-Cavale: Garde-Robe Des Danseuses À La Grande Schauspielhaus À Berlin,

Battle Scars

Battle Scars

Signorelli-Girl: Joan Crawford Photographed By Clarence Sinclair Bull, 1927

Signorelli-Girl: Joan Crawford Photographed By Clarence Sinclair Bull, 1927

Fuckyeahmodernflapper: Classy.

Fuckyeahmodernflapper: Classy.

Mary Pickford, Norma Talmadge And Constance Talmadge, Mourners At Rudolph Valentino’s Funeral. | 1926

Mary Pickford, Norma Talmadge And Constance Talmadge, Mourners At Rudolph Valentino’s

Carmel Myers, 1925

Carmel Myers, 1925

Hoodoothatvoodoo: Nancy Cunard 1926 By Man Ray

Hoodoothatvoodoo: Nancy Cunard 1926 By Man Ray

To Nie Pola Aby?

To Nie Pola Aby?

Bobertsbobgomery: Greta Garbo’s First American Film Was Monta Bell’s The Torrent, In Which She Played A Spanish Girl Who Goes Off To Become An Opera Singer Because Her Small-Town Sweetheart (Ricardo Cortez) Will Not Marry Her. Both Cast And Crew

Bobertsbobgomery: Greta Garbo’s First American Film Was Monta Bell’s The Torrent,

Och, Greta&Amp;Hellip; 

Och, Greta&Amp;Hellip; 

Battle Scars

Battle Scars

Moika-Palace: Greta Garbo, Publicity Still For The Mysterious Lady (1928).

Moika-Palace: Greta Garbo, Publicity Still For The Mysterious Lady (1928).

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